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I read Vogue, and I’m not doing it ironically, though it might seem that way.
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If I have an accessory, it is probably pink. I used to say my favorite color was black to be cool, but it is pink-all shades of pink. In these funny and insightful essays, Roxane Gay takes us through the journey of her evolution a Pink is my favorite color. Through her masterful storytelling, Gay not only explores and reconciles with her own past but also prompts readers to initiate, if not at least contemplate, conversations around fatness that have been dismissed for too long.Pink is my favorite color. But it is this painfully sincere portrayal of insecurity and desire for healing and freedom that readers-as humans-connect with and appreciate.
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She admits that she still has bad days in which she “forget how to separate personality, the heart of who, from body” and questions if anyone actually feels comfortable in their bodies (149).
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This is a book about learning, however slowly, to allow myself to be seen and understood” (4-5).Īt the end of the memoir, Gay neither loses weight nor reaches an enlightenment in which she is suddenly full of confidence and self-love. Mine is, simply, a true story…This is a book about my body, about my hunger, and ultimately, this is a book about disappearing and being lost and wanting so very much, wanting to be seen and understood. I don’t have any powerful insight into what it takes to overcome an unruly body and unruly appetites. This is not a book that will offer motivation.
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There will be no pictures of a thin version of me, my slender body emblazoned across this book’s cover, with me standing in one leg of my former, fatter self’s jeans. “The story of my body is not a story of triumph. From the beginning of the book, Gay tells the readers: Hunger is also unconventional because it has no cliché, happy ending. Gay’s undisguised vulnerability and honesty-fiercely raw and personal more often than not-evoke the readers’ pathos and appeal to an audience that is all too familiar with and tired of the conventions of the genre that only offers how-to’s from celebrities. Or society tells me I am supposed to hate myself, so I guess this, at least, is something I am doing right,” and “I (want to) believe my worth as a human being does not reside in my size or appearance” (148, 17). However, Gay’s voice is straightforward, sometimes humorous, and oftentimes self-deprecating and much like the voices in our own heads that reading her words is effortless. As she confronts issues of race, gender, age, and sexuality within the premise of her struggles with weight and body image, Gay provides a voice and perspective that often go unheard and unseen.ĭivided into six parts with 88 chapters in total, Hunger is not a short read.
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According to an interview with the New York Times, Gay weighed “577 pounds” at her heaviest-a product of her own doing, she writes, in response to a tragic act of violence during her childhood which she bravely and honestly reveals within the pages of her memoir. She is also a fat, Haitian-American in her early forties (‘fat’ being the word she prefers). She has written for numerous outlets including Time and the Los Angeles Times and currently teaches English at Purdue University. Gay is an accomplished writer she became a New York Times best-selling author for her essay collection, Bad Feminist, as well as a finalist for the Dayton Peace Prize for her novel, An Untamed State. In her candid and relatable memoir, Hunger, the New York Times best-selling author Roxane Gay intimately chronicles her complex relationship with food, weight, and self-image and tells a story that needs to be told more often.